as soon as I had resigned my post of “teacher” a prestigious international publisher (Edition Universal Wien) came knocking at my door and signed me for all the works that I would write from 1924 to 1930 […]. To be associated with a publisher who was both able and attentive and held the keys of international music meant not to rot and not having to succumb to our [Italian] musical environment. In fact, between 1924 and 1932 I lived intensely in the world of Music without ever concerning myself with these “machinations” that destroy the serenity and corrupt the musician”.
