{"id":3515,"date":"2024-03-06T11:33:15","date_gmt":"2024-03-06T11:33:15","guid":{"rendered":"https:\/\/www.historyofmusic.eu\/?p=3515"},"modified":"2024-03-06T11:42:11","modified_gmt":"2024-03-06T11:42:11","slug":"corporazione-delle-nuove-musiche-gian-francesco-malipiero","status":"publish","type":"post","link":"https:\/\/www.historyofculture.cloud\/index.php\/2024\/03\/06\/corporazione-delle-nuove-musiche-gian-francesco-malipiero\/","title":{"rendered":"Corporazione delle Nuove Musiche: Gian Francesco Malipiero"},"content":{"rendered":"\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-f221bfd0 wp-block-group-is-layout-flex\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-blockspare-blockspare-social-links blockspare-e6e2ca2f-3ed2-4 blockspare-socaillink-block blockspare-sociallinks-center\" blockspare-animation=\"\"><style>.blockspare-e6e2ca2f-3ed2-4 .blockspare-social-wrapper{text-align:center;margin-top:30px;margin-right:0px;margin-bottom:30px;margin-left:0px}.blockspare-e6e2ca2f-3ed2-4 .blockspare-social-wrapper .blockspare-social-icons > span{font-size:16px}@media screen and (max-width:1025px){.blockspare-e6e2ca2f-3ed2-4 .blockspare-social-wrapper .blockspare-social-icons > span{font-size:16px}}@media screen and (max-width:768px){.blockspare-e6e2ca2f-3ed2-4 .blockspare-social-wrapper .blockspare-social-icons > span{font-size:14px}}<\/style><div class=\"blockspare-social-wrapper\"><ul class=\"blockspare-social-links blockspare-default-official-color blockspare-social-icon-circle blockspare-social-icon-small blockspare-icon-only blockspare-social-icon-solid blockspare-social-links-horizontal\"><li class=\"blockspare-hover-item\"><a href=\"https:\/\/www.facebook.com\/profile.php?id=100086318972744\" class=\"bs-social-facebook\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"blockspare-social-icons\"><i class=\"fab fa-facebook-f\"><\/i> <span class=\"screen-reader-text\">Facebook<\/span><\/span><\/a><\/li><li class=\"blockspare-hover-item\"><a href=\"https:\/\/twitter.com\/HistoryCulture3\" class=\"bs-social-twitter\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"blockspare-social-icons\"><i class=\"fab fa-twitter\"><\/i><span class=\"screen-reader-text\">Twitter<\/span><\/span><\/a><\/li><li class=\"blockspare-hover-item\"><a href=\"https:\/\/www.instagram.com\/historyofcinema2021\/\" class=\"bs-social-instagram\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"blockspare-social-icons\"><i class=\"fab fa-instagram\"><\/i><span class=\"screen-reader-text\">Instagram<\/span><\/span><\/a><\/li><li class=\"blockspare-hover-item\"><a href=\"https:\/\/www.youtube.com\/channel\/UCZpSl3B7vouOeFMr804ugxA\" class=\"bs-social-youtube\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"blockspare-social-icons\"><i class=\"fab fa-youtube\"><\/i><span class=\"screen-reader-text\">YouTube<\/span><\/span><\/a><\/li><\/ul><\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-drop-cap has-small-font-size wp-block-paragraph\">The First World War disrupted his life but, as he put it, &#8220;if I created something new in my art (formally and stylistically), it happened precisely in this period.&#8221;<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">In the early 1920s in Rome, Gian Francesco Malipiero joined Casella&#8217;s&nbsp;Societ\u00e0 Italiana di Musica Moderna,&nbsp;and together they founded the&nbsp;Corporazione delle Nuove Musiche.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">From 1926 to 1942 Malipiero was active as editor of Monteverdi&#8217;s complete works, and from 1939 until 1952 he was director of the Venice Liceo Musicale. As president of the Istituto Italiano Antonio Vivaldi he initiated the publication of the composer&#8217;s instrumental music in 1947.<br>Born in the same year as Igor Stravinsky, Malipiero shared his creative aspirations, modifying elements of historical styles in his own philosophical and artistic method.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">In Malipiero&#8217;s case, the artistic stance as well as the characteristic and individual approach to composition grow out of a much-reflected opposition to German and Italian traditions of the nineteenth century. In his view, the German symphonic concept of thematic unity runs counter to the Italian spirit. Hence he considers the musical tradition of Bellini, Donizetti and Verdi a dead-end; instead, his guiding figures are Claudio Monteverdi, Domenico Scarlatti, and Antonio Vivaldi.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Malipiero\u2019s original artistic vision attempts to get into the very essence of his given models, the most stimulating aspects of which are form based on free association, rather than on abstract schemes, harmonic progressions, which follow acoustic rather than theoretical needs, and &#8211; on a more metaphysical level &#8211; the beauty of polyphonic textures and language discipline. These incentives provide the basis for creative adaptation and transformation, in which antiquity is reflected in the modern spirit.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"jetpack-video-wrapper\"><iframe loading=\"lazy\" title=\"Sinfonia degli eroi (Symphony of Heroes)\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/abTo99EHv0M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">While Malipiero undoubtedly has strong links to the past, he has equally strong connections with his own generation&#8217;s notions of the &#8220;present&#8221; and &#8220;new music.&#8221; One of his preferred compositional techniques is the use of the fourth to build motives and harmony. From this starting point Malipiero proceeds to a remarkable augmentation of harmonic framework, passing from expanded tonality to bitonality, linearly conceived textures, and the primacy of melodic line over orchestral color. Harmony and articulation are employed with emotional restraint, and instrumental color is almost never used for its own sake. Malipiero abandons the the nineteenth-century inclination toward blending orchestral color in favor of Baroque principles of contrasting registers. In his works dating from the twenties, both timbre and harmonic detail occasionally recall Stravinsky.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Unconditional sincerity, discerning cultivation, a noble attitude: these are the principle characteristics of Malipiero&#8217;s music, often making use of extra-musical ideas (albeit in a thoroughly non-illustrative way). Nobility and sensitivity \u2013 though hidden behind apparent aloofness and reserve \u2013 form over a period of decades the basis of an expressive language which only seldom (in his earlier works) gives way to rustic vitality. More frequently to be found in his works are a pure spirit of music-making, an austere modern archaism, and a deep, inutterable sorrow.<\/p>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\">Malipiero&#8217;s goal of giving a new direction to Italian music by fusing the traditions of Gregorian chant, Renaissance, and Baroque music with the expressive means of contemporary musical thought seems outdated in the eyes of a younger generation following a completely different path. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><div class='root-data-givewp-embed' data-form-locale='en_US' data-form-url='https:\/\/www.historyofculture.cloud\/?post_type=give_forms&amp;p=37932' data-form-view-url='https:\/\/www.historyofculture.cloud\/?givewp-route=donation-form-view&amp;form-id=37932' data-src='https:\/\/www.historyofculture.cloud\/?givewp-route=donation-form-view&amp;form-id=37932' data-givewp-embed-id='give-form-shortcode-1' data-form-format='' data-open-form-button='Donate now' style='--givewp-primary-color: #cf2e2e; --givewp-secondary-color: #abb8c3;'><\/div><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/amzn.to\/49VfbSq\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-1024x1024.jpg\" alt=\"\" class=\"wp-image-48739\" srcset=\"https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-1024x1024.jpg 1024w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-300x300.jpg 300w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-150x150.jpg 150w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-768x768.jpg 768w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-600x600.jpg 600w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_-100x100.jpg 100w, https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2024\/03\/A1hdYT2RBGL._AC_SL1500_.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-blockspare-blockspare-notice-bar alignundefined blockspare-c25ff717-9525-4 blockspare-notice-block aligncenter\" blockspare-animation=\"\"><style>.blockspare-c25ff717-9525-4 .blockspare-noticebar-wrapper{background-color:#f9f9f9;border-color:#3c1a5b !important;padding-top:10px;padding-right:20px;padding-bottom:10px;padding-left:20px;margin-top:30px;margin-right:0;margin-bottom:30px;margin-left:0;border-radius:0}.blockspare-c25ff717-9525-4 .blockspare-notice-content{color:#4c4c4c;font-size:18px!important}@media screen and (max-width:1025px){.blockspare-c25ff717-9525-4 .blockspare-notice-content{font-size:16px!important}}@media screen and (max-width:768px){.blockspare-c25ff717-9525-4 .blockspare-notice-content{font-size:14px!important}}<\/style><div class=\"blockspare-noticebar-wrapper blockspare-blocks blockspare-hover-item\"><div class=\"blockspare-section-notice-wrap\"><div class=\"blockspare-title-wrap\"><div><div class=\"blockspare-notice-content\"><sub>As an Amazon Associate, History of culture earn from qualifying purchases. #ad<\/sub><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n<p><script async src=\"https:\/\/pagead2.googlesyndication.com\/pagead\/js\/adsbygoogle.js?client=ca-pub-2865835507184636\"\n     crossorigin=\"anonymous\"><\/script><br \/><ins class=\"adsbygoogle\" style=\"display: block; text-align: center;\" data-ad-layout=\"in-article\" data-ad-format=\"fluid\" data-ad-client=\"ca-pub-2865835507184636\" data-ad-slot=\"7610667521\"><\/ins><br \/><script><br \/>\n     (adsbygoogle = window.adsbygoogle || []).push({});<br \/>\n<\/script><\/p>","protected":false},"excerpt":{"rendered":"<p>as soon as I had resigned my post of &#8220;teacher&#8221; a prestigious international publisher (Edition Universal Wien) came knocking at my door and signed me for all the works that I would write from 1924 to 1930 [\u2026]. To be associated with a publisher who was both able and attentive and held the keys of international music meant not to rot and not having to succumb to our [Italian] musical environment. In fact, between 1924 and 1932 I lived intensely in the world of Music without ever concerning myself with these &#8220;machinations&#8221; that destroy the serenity and corrupt the musician&#8221;.<\/p>\n","protected":false},"author":1,"featured_media":48762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"give_campaign_id":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[52,376,83,35,842,352,344,351,50,343,51,375],"tags":[102,245,248,105],"class_list":["post-3515","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-academic-music","category-composers","category-contemporary-music","category-history-of-music","category-march","category-modernism-xx-c","category-musical-directions-styles-genres","category-neoclassicism-xx-c","category-onthisday","category-periods","category-personalities","category-personalities-history-of-music","tag-composer","tag-contemporarymusic","tag-historyofculture","tag-historyofmusic"],"featured_image_urls":{"full":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",1800,1800,false],"thumbnail":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603-150x150.jpeg",150,150,true],"medium":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603-300x300.jpeg",300,300,true],"medium_large":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603-768x768.jpeg",640,640,true],"large":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603-1024x1024.jpeg",640,640,true],"1536x1536":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603-1536x1536.jpeg",1536,1536,true],"2048x2048":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",1800,1800,false],"post-thumbnail":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",300,300,false],"minimalistblogger-grid":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",230,230,false],"minimalistblogger-slider":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",850,850,false],"minimalistblogger-small":["https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg",180,180,false]},"author_info":{"info":["historyofculture"]},"category_info":"<a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/musical-directions-styles-genres\/academic-music\/\" rel=\"category tag\">academic music<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/personalities-history-of-music\/composers\/\" rel=\"category tag\">composers<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/musical-directions-styles-genres\/contemporary-music\/\" rel=\"category tag\">contemporary music<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/\" rel=\"category tag\">history of music<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/onthisday\/march\/\" rel=\"category tag\">March<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/periods\/modernism-xx-c\/\" rel=\"category tag\">modernism (XX c.)<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/musical-directions-styles-genres\/\" rel=\"category tag\">musical directions, styles, genres<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/periods\/neoclassicism-xx-c\/\" rel=\"category tag\">neoclassicism (XX c.)<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/onthisday\/\" rel=\"category tag\">onthisday<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/periods\/\" rel=\"category tag\">periods<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/onthisday\/personalities\/\" rel=\"category tag\">personalities<\/a> <a href=\"https:\/\/www.historyofculture.cloud\/index.php\/category\/history-of-music\/personalities-history-of-music\/\" rel=\"category tag\">personalities<\/a>","tag_info":"personalities","comment_count":"0","jetpack_featured_media_url":"https:\/\/www.historyofculture.cloud\/wp-content\/uploads\/2022\/03\/gfm0603.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/posts\/3515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/comments?post=3515"}],"version-history":[{"count":5,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/posts\/3515\/revisions"}],"predecessor-version":[{"id":49142,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/posts\/3515\/revisions\/49142"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/media\/48762"}],"wp:attachment":[{"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/media?parent=3515"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/categories?post=3515"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.historyofculture.cloud\/index.php\/wp-json\/wp\/v2\/tags?post=3515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}